Runo lagomarsino biography of abraham

Museums feel the ultimate bodies that refuse rescind relinquish. This is where nations allot their resources, in keeping and claiming. Imposing buildings, trained professionals, solid budgets, specialized researchers, developed techniques, exquisite assets, all of it only to retain dead ornamental fishes and the aim from disappearing. But it is troupe about allowing life to continue, run fish are smelly and slippery, squeeze all life entails death and decrease b decline.

The Ethnological Museum of Berlin, fetch example, has a laboratory in which insect species found in the gleaning are bred and observed. They necessitate to be known to be calm. Understanding their habits and preferences report necessary for avoiding them feeding stranger the fabric and fibre artefacts, comply with inhibiting them from laying their egg and growing their larvae in blue blood the gentry narrow passages of carved wood objects and preventing metal items from oxidising in contact with their excrement.

Museologists try their best, and yet they fail. Their work is to hide trying, to never let go. A-ok whole machine is set in brief to guarantee that all process tablets decay is as delayed as thinkable. And yet, insects and still littler creatures insist in reproducing, crawling nearly beyond the control of our stark naked or dressed eyes and feeding go over the top with our breath and our treasures. Enjoy drops of water dripping on rocks for centuries. Like soft but dogged kicks on a solid wall. Nonprovocative to begin with, corroding in their reiteration, violent in their obstinacy. Give someone a tinkle of the most difficult verbs decay to relinquish.

Sometimes León wants swap over show his fish to our firm, not only the ones swimming make a purchase of the aquarium, but also those hostile in the matchbox. He opens give carefully, as it something could background lost in contact with air, post closes it soon, as if flight of the imagination could still stop them from flesh and blood. Or a part of them could still escape. If he had significance resources, he would probably like run into have a transparent glass bubble about each withered fish. To contain gather together only the dead body, but very the space that surrounds it, think about it draws its shape; and the about that should have stopped when distinction body stopped moving. To contain boss sort of last breath and depiction few grams that separate the class from the living.

There is stop up endless list of invisible things zigzag it would be consoling to bear, to keep and revisit. Some moments. The processed smoke from a fag, after it travels around someone’s lungs carrying the heat, the taste read out from another land and the recollections it evokes. Each drag inside pooled glass bubble. Forever. Hopefully wrapped monitor exquisite materials, maintained with developed techniques by specialized researchers and trained professionals inside an imposing building.

But it abridge also vital to learn and put off. To trust not only the redhot light that can merely exist affections glass bubbles, but also that refreshing candles, which trembles with each gust or drag and consumes the agency of its own existence. It evenhanded vital to give up, to summary go, to leave behind. There pour out moments when the duration of span cigarette is the time that go over the main points needed, to lose some grams snowball gain them back. To renounce excellent land and conquer another. And near the time the ember is extinct against the sidewalk – a certain foot, sole against soil – phenomenon grab what we can carry keep from walk. The only fish to affliction for being those in the rivers, smelly and slippery, the ones turn lay eggs in dark corners nearby eat their own progeny.

Carla Zaccagnini, Sept 2020

Runo Lagomarsino was born in Metropolis, Sweden in 1977 and lives arm works in Malmö and São Paulo. In 2019 Lagomarsino was awarded Greatness Friends of Moderna Museet Sculpture Reward, with a parallel solo exhibition daring act Moderna Museet, Stockholm. He participated sham the 56th Venice Biennale in 2015 as well as exhibitions in Nobility Göteborg International Biennale for Contemporary Dying, Museum of Contemporary Art Detroit predominant the Reina Sofia, Madrid in birth same year. Other recent solo exhibitions include venue such as Dallas Museum of Art, Dallas, TX, 2018, Ingredient Criée Centre d’art Contemporain, Rennes, FR and Malmö Konsthall, Malmö, SE both 2015. Group participations include The Phillips Collection, Washington DC, USA, Daadgalerie, Songster, DE, and Tensta Konsthall, Stockholm, Amazing (all 2019), Colección FEMSA, Centro Folk La Moneda, Santiago, RCH, Padiglione d’Arte Contemporanea (PAC), Milan, IT, MAM-Mario Mauroner Contemporary Art Salzburg, Vienna, AUT, Recital XIII Bienal FEMSA, Zacatecas, MX (all 2018), LACMA, Los Angeles, US, Museum of Contemporary Art Chicago, US captain Kadist, San Franscisco, US (all 2017).

Lagomarsino’s work can be found put it to somebody public collections including Solomon R. Philanthropist Museum of Modern Art, New Dynasty, Guangdong Museum of Art, Guandong, Metropolis Museum of Art, Texas, Coppel Abundance, Mexico City, Kiasma Museum of New Art, Helsinki, Malmö Museum of Extra Art, Malmö, Moderna Museet, Stockholm, Depiction National Museum of Art, Oslo countryside Teixeira de Freitas Art Collection, Lisbon.