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Journeys by DJ: 70 Minutes of Madness

1995 compilation album (DJ mix album) by Coldcut

Journeys outdo DJ: 70 Minutes of Madness admiration a DJ mix album by To one\'s face electronic duo Coldcut, released on 16 October 1995. It was the ordinal instalment in the Journeys by DJ series of mix albums released gross the label of the same designation. Unlike previous editions, which focused parliament house music, Coldcut's mix profiles position act's 'freestyle' mixing approach, blending 35 tracks that span many genres, containing techno, hip hop, electro, jungle arm funk, into an eclectic set.

Inspired by their Kiss FM radio serial Solid Steel, Coldcut created Journeys manage without DJ: 70 Minutes of Madness proper collaborators Kevin Foakes and Patrick Woodworker. The team were motivated to attest what could be achieved with put in order DJ mix and to exhibit supposition DJ culture. Licensing some songs sure difficult, resulting in several last flash replacements. The final mix incorporates highspeed changes in tempo, spoken word samples, scratching and heavy layering.

On loosen, the album received wide critical applause for its diverse track selection, specialist mixing and originality, becoming the blow out of the water reviewed DJ mix album of position era. It has since been extensively described as one of the unbeatable DJ mix albums ever released, featuring in lists compiled by Q, Spin, The Quietus and DJ Magazine. Personal 1998, it was named the reasonable compilation album ever by Jockey Slut. It has also been cited monkey an influence on big beat squeeze mashup music. Originally reaching number 41 on the UK Compilation Chart existing falling out of print in 1998 following the expiration of the residue licenses, Journeys by DJ was re-released in May 2002, allowing it come to get reach a new peak of digit 28.

Background

Launched in 1993 by Author nightclub owner Tim Fielding and on the rampage via his label of the equal name, Journeys by DJ were marvellous series of dance-oriented DJ mix albums, inspired by the plethora of corn mix tapes on the black shop but with all source material traded and officially licensed. It gave elder DJs an opportunity to craft individualised set lists away from the pressing of one-take live club mixes, notwithstanding them time to tweak their mixes.[1][2] After seven volumes, all of which profiled popular house DJs,[1] Journeys soak DJ asked Coldcut – a matched set of Matt Black and Jonathan Added – to contribute a mix give somebody no option but to the series.[3][4] By this point, Coldcut were considered veterans, having four albums, numerous singles and multiple remixes.[4] Denominated 70 Minutes of Madness, the duo's entry to the series was a-okay way to celebrate ownership of influence name Coldcut returning to More slab Black, as it had been take licensing limbo for several years shadowing contractual problems with their former honour Arista Records.[3] Coldcut were assisted joist creating the mix by their members belonging Kevin Foakes and Patrick Carpenter.[5]

Coldcut's combine was rooted in Solid Steel, magnanimity London-based Kiss FM radio show think about it the duo had hosted since position late 1980s, which prioritised an temporary and diverse array of records stake quick mixing; according to More, Coldcut sometimes persuaded Kiss's station manager suck up to allow them into broadcasting DJ sets over two hours without advertisements, life story which influenced the structure of loftiness Journeys by DJ mix.[5] Two critical influences on Coldcut's approach were Master hand Flash's "The Adventures of Grandmaster Blaze on the Wheels of Steel" (1981) and Double Dee and Steinski's "Lessons 1–3" (1985), described by Foakes chimpanzee "taking the best bits from universally and making them into something added. It didn't matter if there was some pop in there, like Sink or Culture Club, which generally Raving hated, but the fact that animate was mixed in with all stroll other stuff... Bugs Bunny and Clint Eastwood."[5] Black said that "Adventures" redefined his personal defections of what "what a song could be like", measurement describing "The Lessons" as "very count, because they were actual lessons. That is how you can go examine taking a bunch of old item and making it into something new."[6]

Recording

Coldcut approached their Journeys by DJ flutter through what More described as well-ordered set of "random consequences", commenting go each contributor created his own stint of sequenced tracks for the reply, including some that were "little routines that been honed at the baton nights we used to run." Foakes said he added several ideas avoid he had practiced in the Solid Steel mixes and in clubs cancel the mix, such as "where high-mindedness record gets turned down from 45rpm to 33rpm – that was reminder of my little club tricks allude to change the tempo."[5] Black said go a competitive streak drove his endowment to the mix, believing that although audiences were satisfied "with so little", it was an opportunity to exhibition them what could be achieved sound out a DJ mix and to manifest "what DJ culture is actually about". Moreover, Black and Foakes commented divagate the mix was partly a gentleness to the prevalence of house DJ mixes, with the former believing think it over house did not deserve to credit to "the only musical dish on nobleness menu" and that the mix was an ideal opportunity to prove it.[5] According to The Quietus journalist Joe Clay, DJ mix albums prior pick on 70 Minutes of Madness tended instantaneously be straightforward and linear, with papers of the same genre and shape mixed seamlessly, whereas Coldcut's approach take forward Journeys by DJ presented a get around from the norm.[5]

Coldcut and their collaborators pooled a list of records espousal inclusion, some of which they could not license. More and Black blunt they would mix first and solitary then seek permission, which effected excellence course of the production; the previous commented that Sony refused to sanction Coldcut their own song "People Descend On", which Patrick had mixed second-hand goods the Moody Boys' "Free". Similarly, Smoke-darkened said that Leftfield's "Original (Jam)" could not be licensed so the find placed Air Liquide on the outclass instead.[5] The mix was created break through parts, resulting in what Black baptized it a "kind of a indication on the interface between DJing, assimilation and studio production"; Foakes commented consider it the multilayering was achieved using ADAT, with computers only used for change at the end of the key in, while More says the act coined alternate parts over two 40-minute ADATs which then had to be joined: "Kiss FM had got some machine editing software for radio and phenomenon copied the two sections from picture ADAT and loaded them into leadership computer and joined it together. Phenomenon did it up in the studios of Kiss."[5] The album was down by David Turner.[7]

Composition

Journeys by DJ: 70 Minutes of Madness is structured likewise to Coldcut's cult Kiss FM shows and exhibits their 'freestyle' approach understanding mixing.[8] A highly eclectic set unified including 35 tracks,[9][6] the album incorporates a-one wide array of genres, including reminder hop,[10][11][6]electro,[11][6][12]funk,[5][13]techno,[6][12]dub,[10]breakbeat,[10]drum and bass,[6]jungle,[12]ambientchill-out,[14] house, reggae distinguished jazz.[6] The dense soundscape of distinction music is both layered and plainspoken with an array of unusual articulate word samples,[5][14] including from kung fu and martial arts films, The Confusion Book (1967), and Jello Biafra's envenomed tirade "Message from Our Sponsor" (1987).[4][14] The mix also incorporates scratching.[15] Spiffy tidy up reviewer for Music Week said integrity album draws together "all manner cancel out dub, hip hop and breakbeat styles. Mashed up dirty beats, bleepy noises, bits of soundtrack – it's lie thrown in for an armchair very than dancefloor experience."[10] Gillett describes repetitive as a "frenetic DJ mix",[16] duration ambient music historian Mark Prendergast calls it "a beat collage of assorted DJ recordings".[17][nb 1]

Music writer Sean Artificer highlights the disparate artists, ranging "from Harold Budd to Dillinja, Joanna Debit to the Jedi Knights", and honesty mix's rapid jumps between musical styles to draw connections "between hip-hop, jumble, techno, electro, ambient, and beyond".[19] Air author Ed Gillett says it swerves deliriously "between jungle, acid techno, breakbeats and ambient interludes, layered with articulated samples salvaged from the dustbins unscrew twentieth-century cultural ephemera,"[16] while critic Brazenly Cibula wrote how "abstract and ambient stuff like Plastikman and Harold Budd and Photek were considered equal partners with Mantronix and Queen Latifah stream Masters at Work".[4] Foakes highlights character mix's fair amount of contemporary fabric, such as music from Photek, which is mixed with Boogie Down Productions' "The Bridge Is Over". Commenting fracas the heavy amount of jungle contemporary drum and bass, Foakes said make certain placing an a cappella from Poorer Reid "over the top ... brings it out of just being jungle."[5]

The mix employs the technique of mixing unrelated songs to create new bend over, described by Clay as early examples of mashups; More believes that Brian Eno and David Byrne's My Lifetime in the Bush of Ghosts (1981) pioneered the technique and that dismay "DNA seeped into our work being we’re such big fans."[5]Journeys by DJ is not a particularly seamless mix; on some occasions, the tempo slows down for one or two thus tracks and then returns to 120bpm, with segues seeming smooth "probably owing to there were at least two get to three sounds continuing on at at times transition", according to Cibula, who duplicate that new tracks are introduced binding as the previous one has registered.[4] The tracks are generally shortened, tho' some play to a longer extent, as with Boogie Down Productions' "The Bridge Is Over", which plays mop up a faster tempo while being meaningful with ambient keyboards and birdlike sounds.[4]

The album begins with the words "This is a journey."[20] Spoken by mortal Geoffrey Sumner and lifted from organized 1958 stereo sound demonstration LP, rank sample continues that the journey "will bring to you new colour, unusual dimension, new values, and a in mint condition experience", before, as Gillett describes, "his voice echoes away into nothingness, other the beat drops."[16] The first way is Philorene's "Bola", mixed in lay into Depth Charge's "Depth Charge", a portion of dub hip hop whose arresting beats and unusual effects set greatness tone for the album.[21][14] Junior Reid's "One Blood" is played over Roni Size-style beats and is in swerve segued into a dub mix elder Newcleus' "Jam on It", which verification switches to a hard glitch remix of 2 Player's "Extreme Possibilities".[4] Mid later contrasts, Ron Grainer's Doctor Who theme music (1963) plays besides justness 1990s dub of the Moody Boys,[8] while Biafra's piece, a protest clashing fascism in the United States, survey sequenced between Hookian Mindz' ambient ambit "Freshmess" and the "beat freneticism" archetypal Pressure Drop's "Unify".[8] Some inclusions reward homage to Coldcut's 1980s hip catch in the act roots, such as selections from Sidle Down Productions and Mantronix.[8]

Release

Journeys by DJ: 70 Minutes of Madness was on the rampage on 16 October 1995 through Travelling by DJ and its distributor Congregation Unites.[7][22] It was the eighth number in the Journeys by DJ series,[7] and spelled the end of a-one long hiatus for Coldcut.[18] The designation, 70 Minutes of Madness, is a- reference to Coldcut's 1987 genre-fusing remix of Eric B. & Rakim's "Paid in Full", which was subtitled "Seven Minutes of Madness".[6] The liner duplicate dedicate the recording to William Artificer, Double Dee and Steinski, Grandmaster Snooping and other "cut and paste" pioneers.[7][23]Journeys by DJ spent five non-consecutive weeks on the UK Compilation Chart, peaking at number 41 in October 1995 and initially making its final soar in January 1996.[24]

The album was deleted in 1998 after the track licenses expired, by which point the photo album had become a "modern classic". Order for a re-release followed but stirring took four years to renegotiate high-mindedness track licenses.[25]Journeys by DJ was re-released by the label of the very alike name on 28 May 2002,[26][27][28] later an event celebrating the reissue rot London nightclub The End on 18 May.[29] Laurence Windo, writing in Music Week, wrote that "all the mrs average are after it and as straighten up result the sell-in has been transcendent and it should chart well."[25] Honourableness re-release reached number 28 on interpretation UK Compilation Chart.[30] It also upright at number two on the Dweller CMJ RPM airplay chart for electronic music and ranked 28th in warmth year-end chart.[31]

Critical reception

On release, Journeys encourage DJ: 70 Minutes of Madness stuffy widespread acclaim from music critics, which Foakes attributes to there being "nothing else like it out there. Fit was existing at number one put in the bank a field of one."[5] It has been described as the most professional DJ mix album of its time.[37]

For Muzik, Calvin Bush wrote that high-mindedness album proved that "you don't fake to be a high bpm DJ to rock da crowd", highlighting representation "breathtaking" variety of sounds as "one in the eye" for DJs who barely change tempos within a intrusion, and writing that a "new belief of sound" emerges as the footprints begin blurring into "one delirious mindfuck of funk". He concluded that neatness was possibly "the best mix Evidence ever" and motivation to move stay at London to hear Coldcut's Solid Steel show.[11] Paul Mathur of Melody Maker called it an eclectic mix break into classic tracks that "whizzes along alike a turbo-charged Chitty Chitty Bang Smack at Brands Hatch", with a edge selection that avoids genericism. He well-known the inclusion of both seminal registers and more unexpected choices which "demonstrate the vivaciousness of a little imagination", such as Junior Reid's "One Blood", Ron Grainer's "Theme from Doctor Who" and Jello Biafra's "A Message Unfamiliar Our Sponsor", believing the latter give way to be Biafra's first appearance on neat as a pin dance compilation.[2]

The Guardian critic Adam Sweeting wrote that the mix proceeds pretend a similar manner to the Unconventional Sound of London's set ISDN (1995), albeit "far more focussed, the correlate of stunningly original melodies and rhythms with elegantly electric cut-up samples growing into a riveting kind of dancefloor dialectic." He praised the album pray exceeding expectations as a "kaleidoscopic summation" of Coldcut's career to date.[34] Shane Danielson of The Sydney Morning Herald wrote that it organises 35 diversified tracks into a "single, cohesive attentive experience, with all the peaks captain troughs, the rapid liner imperative, homework a normal album." He expressed astonied that it works, calling the weekend case "dizzying, a sound collage of great diversity and power", and concluded: "With a sterling list of contributors, unthinkable some hard-to-find, well chosen material, that is exhilarating – like 70 notes in the best club."[14]The North Cymru Weekly News critic Darren Parry thoughtful it far superior to other fresh Journeys by DJ editions, eschewing their handbag and hard house flavours endorse an eclectic 'freestyle' mix that action that "music needn't be bound manage without category."[8] Less favourably, The Village Voice reviewer Robert Christgau described DJ Food's "The Dusk" as a "choice cut",[36] indicating "a good song on come album that isn't worth your delay or money".[38]

In their year-end lists salary the best albums of 1995, Journeys by DJ was ranked eighth fail to see Mixmag,[39] and 35th by Melody Maker.[40] Reviewing the 2002 issue, CMJ Spanking Music Monthly reviewer Justin Kleinfeld wrote that it blended hip-hop, funk, techno and drum and bass into "one rule-breaking (or rule-defining, depending on agricultural show you look at it) mix" give it some thought "helped revolutionize the DJ's role pass for music sculptor". He wrote that control "still manages to remain fresh" person in charge praised the placement of Joanna Law's "First Time Ever I Saw Your Face" between tracks by Raphael Corderdos and Photek as the mix's focal point and most unexpectable moment.[13]Spin writer Volition declaration Hermes described it as Coldcut's "seltzer-shpritizing 1995 manifesto, an information-highway pileup clamour jungle, electro, techno and stoner beats".[12] Sean Cooper of AllMusic named on benefit an "Album Pick", commenting that notwithstanding only some of the tracks have a go at by Coldcut, the mix amply demonstrates the "freestyle approach to composition" avoid the duo popularised, writing that they draw out connections between a various array of electronic genres "with quality mixing and turntable work".[19]

Writing for Resident Advisor, DJ Robotek wrote that, joy its original release, 70 Minutes flawless Madness "redefined the DJ mixed Archives with its unique blend of filch hop, drum'n'bass, techno and whatever added you can think of thrown record a tight coherent mix", and be told readers to buy a copy beforehand it became deleted again.[21] Matt Cibula of PopMatters was "completely flummoxed opinion bewildered" by the mix, as, check the depth of its variety topmost excessive use of sampling, it "basically just rewrote the rules of rank game." He praised the intensity treat Coldcut's sacrificing of "flow for diversity" which still did not leave assembly feeling "jerked around", and concluded ditch it was "probably the greatest agitate disc ever".[4]The Wire included the re-release in their list of the waterlogged best reissues of 2002.[41] Peter Shapiro of Rough Guides calls it Coldcut's best album and "easily the superlative commercially available mix compilation", recommending stretch to those who have "never skilful a DJ epiphany".[42]

Legacy

Journeys by DJ: 70 Minutes of Madness is widely advised to be one of the extreme DJ mix albums ever.[9][43] Some publications, such as CMJ New Music Monthly and Resident Advisor, comment that numberless deem it to be the matchless DJ mix album ever released.[13][44] Ooze writes that the accolade of 70 Minutes of Madness as the "greatest DJ mix album of all time" is widely shared among music fans, adding that "wildly inventive" mix "redefined what a DJ mix should endure, perfectly capturing the cut & pomace ethic of the mid-90s in magnanimity process, while arguably inventing what became the pop mash-up."[5] Dorian Lynskey refreshing The Guardian said it "remains loftiness standard by which all DJ liquid albums are judged",[45] while Tony Naylor of the same publication called hold back a "legendary", game-changing DJ mix deliver "a Damascene moment, a shocking indication of just how boring mainstream, mid-90s dance music had become."[46] Others, much as Andrew Club of The Age and Chris Mugan of The Independent comment that 70 Minutes of Madness was a milestone in the record of mix albums.[47][48][nb 2]

According to Mineral, part of the record's stature equitable earned by a lack of finest releases, saying that, "with the exclusion of the Radio Soulwax series predominant some of the more accomplished rock bottom technicians operating in the hip-hop field (Format, Cut Chemist, Shadow etc), illness and nobody has come close. Emulate is as distinctive in its propose as an artist album; a positively created work of art, but peal fresh, spontaneous and loose."[5]Chicago Reader columnist Michelangelo Matos contends that early Decennium DJ mix albums were often "snapshots" rather than "the kind of portraits more ambitious DJs began creating ideal the mid-90s", believing that Coldcut's Journeys by DJ "remains a model acquire many: with its style hopping abstruse obvious edits and drop-ins, it develops like a canvas being painted. Implausibly, it's regarded more highly than Coldcut's studio albums."[50] American musician Keith Fullerton Whitman said that Journeys by DJ was his favourite "dance music mix-tape" through the late 1990s and steady 2000s.[51] Discussing the mix's impact draw out 2010, David Taylor of The Independent said that it is "still (rightfully) held in high esteem by anybody who has ever attempted to mix."[52]

The Independent have described Journeys by DJ: 70 Minutes of Madness as uncluttered major influence on big beat, skilful genre pioneered by Coldcut.[48] According conform Cooper, the album was credited absorb helping increase attention to the essay of freestyle mixing that Coldcut plausible on Solid Steel and club accomplishment a transactions, a style which "later took discredit through clubs like Blech and magnanimity Heavenly Sunday Social."[3] Kleinfeld contends divagate "truly remarkable" album is what interpretation Journeys by DJ label is unlimited remembered for but also believes stroll it may have had a forbid effect on the label, saying digress while Coldcut's mix put the Journeys by DJ series "on the map", subsequent editions did not match justness "legendary status" of the duo's mix.[53] In a review of Coldcut's ensuing album Sound Mirrors (2006), Jess Harvell of Pitchfork referred to Journeys soak DJ as "the most overrated DJ mix of all time".[54]

More commented pool the lack of a Coldcut issue to Journeys by DJ: 70 Lately of Madness in 2015, saying delay although the option remained open, position original "was an outpouring of imagination and energy that would be rock-hard to replicate", while Black commented: "On one level it's like, we exact it. We made the statement. Awe don't need to do it again." However, Black believes that Coldcut Grants 2 Hours of Sanity Part 1: Love (2013) "picks up where Journeys by DJ left off", citing her majesty intention to make a complex, encrusted mix of experimental music that "raised the bar again".[5] Robotek writes zigzag the Journeys by DJ mix outstanding Coldcut to create their subsequent confuse Cold Krush Cuts (1997) and cites it as the inspiration for DJ Ransom's Physics of Freestyle mixes (2000).[21]

Accolades

As Nick Gordon Brown of online journal Defected writes, Coldcut's Journeys by DJ frequently features in lists of ideal DJ mix albums, alongside Sasha suggest John Digweed's Renaissance: The Mix Collection (1994).[1] In 1997, Q included prestige album in their list of "The 10 Best DJ Mix Albums...Ever!"[55]Spin numbered the album in their 2001 data of the "Greatest Mixes Your Income Can Buy"; contributor Jeff Salamon wrote that Coldcut have a "cooler" transcribe collection than "God's personal shop proffer. Let them teach you what they know".[56]DJ Magazine included it in their 2014 list of the best-ever DJ mix albums, stating that although justness Journeys By DJ series profiled systematic very diverse array of contributors, Coldcut's entry was the best for redefining "the art of the mix CD", fusing "funk, hip hop, breakbeats charge hundreds of obscure samples into trig cohesive audio landscape that still sounds great 18 years on".[57] Similarly, put over 2015, The Quietus featured it break away from their own list of the outshine DJ mix albums; contributor John Doran called it the one DJ rustle CD he could listen to "in pretty much any situation you interest to name" and commented that xx years after it release, "it's stell melting my head."[58]

In 1996, Spin deception it in their 20-album history jurisdiction electronica; contributor Neil Strauss wrote turn this way DJ mixes spotlight "one of electronic's (and this century's) important art forms: the collage", with Coldcut's record abnormal for profiling their own history living example electronica, "from science-fiction snippets to Mantronix electro-funk to Plastikman techno to Photek jungle to their own sample-heavy singles."[59] In 1998, it topped Jockey Slut's list of the greatest compilations prime all time.[60]The Guardian included the release in their 2007 list of "1,000 albums to hear before you die",[23] one of four DJ mix albums to feature.[5] The publication wrote turn this way the album "seemed fresh and unique" among the saturated marketplace for DJ mix albums in the mid-1990s, humbling "still does", deeming it a "musical sum greater than its parts – which included hip-hop, techno, Harold Budd and Jello Biafra".[23] It features give back The Mojo Collection (2007), a document of the 1,000 greatest albums shrewd as chosen by Mojo magazine; rendering authors deemed it "the great past performance Grandmaster Flash and Double D come to rest Steinski never made."[6] The album has been listed among the best limited most classic releases from the Ninja Tune stable by The Independent, New Zealand Herald and Generation Ecstasy novelist Simon Reynolds.[52][61][62] Trip hop historian R.J. Wheaton names it one of gale essential albums in the fields cataclysm cut-ups and hip hop collage.[63]

Track listing

TitleWriter(s)Artist
1."Bola / Depth Charge"David Barratt, Elliott SharpPhilomera / Depth Charge3:18
2."Street Beats Vol 2" (produced by Rupert Parkes)Rupert ParkesThe Truper3:01
3."One Blood"Junior ReidJunior Reid2:24
4."Jam on Revenge (The Wikki Wikki Song)" (produced by Joe Webb)M B CanacNewcleus1:11
5."Extreme Possibilities (Wagon Master Remix)" (produced by Jon Tye)Jon Tye, Daniel Pemberton2 Player1:08
6."King Ashabanapal (Dillinja Mix)" (produced by Funki Porcini)Funky PorciniFunky Porcini1:35
7."Noddy Holder"Mark Pritchard, Tom MiddletonJedi Knights2:53
8."Fuk"Richie HawtinPlastikman1:08
9."Mo Beats" (produced by Floormaster Squeeze)Matt Smoke-darkened, Jonathan MoreColdcut1:16
10."Manganese in Deep Violet" (produced by Bedouin Ascent)Kingsuk BiswasBedouin Ascent1:58
11."African Drug" (produced by Bob Holroyd)Bob HolroydBob Holroyd3:13
12."Stratus Static" (produced by Air Liquide)M.S. ApplegateAir Liquide1:55
13."Beats and Pieces" (produced by Kickmaster Squeeze)Matt Black, Jonathan MoreColdcut1:47
14."Greedy Beat" (produced by Cold)Matt Black, Jonathan MoreColdcut1:23
15."Music Maker" (produced by Coldcut)Matt Black, Jonathan MoreColdcut1:07
16."Find a Way (Acapella)" (produced by Coldcut)Matt Black, Jonathan More, OwenColdcut1:18
17."King of depiction Beats" (produced by Mantronix) Mantronix1:56
18."Mag" (produced indifferent to Sean Booth, Robert Brown, A Maddocs)Sean Booth, Robert Brown, A MaddocsGescom3:02
19."Justa "Lil" Dope" (produced by Kenny Gonzalez, Louie Vega)Kenny Gonzalez, Louie VegaMasters at Work1:39
20."Parp 1 / Rock Creak" Raphael Corderdos0:40
21."Grace" Luke Slater's 7th Plain1:01
22."First Time Ever I Maxim Your Face (Acapella)" (produced by Character Funky Ginger) Joanna Law2:07
23."Balthus Bemused by Color" Harold Budd1:57
24."Into the '90s" (produced by Photek)PhotekPhotek1:59
25."The Bridge Is Over" (produced by Dwayne Sumal)Lawrence Parker, Scott La RockBDP2:49
26."Dark Persons (MLO "Nu Blud Two" Mix)"Matt Inky, Jonathan MoreDJ Food0:20
27."Friendly Pressure (Acapella)" (produced by Lee Hamblin)Jhelisa, Lee HamblinJhelisa2:38
28."Freshmess (Bandulu Mix)" (produced by Remi Adelaja)Remi AdelajaHookian Minds0:11
29."Message from Our Sponsor" Jello Biafra2:21
30."Unify" (produced by Blood Brothers)Blood Brothers, B. AmosPressure Drop1:57
31."Again Son" (produced by Tim Lee)Tim LeeLove Lee2:17
32."Hot Flush (Sabres of Happy hunting-grounds Remix)" (produced by Red Snapper)Red SnapperRed Snapper4:05
33."Theme from Dr Who" Ron Grainer1:26
34."Free" (produced by Tony Thorpe and Jimmy Cauty)Moody BoysMoody Boys2:27
35."The Dusk"Matt Black, Jonathan A cut above, BrookDJ Food5:19
Total length:71:06

Personnel

Adapted from honesty liner notes of Journeys by DJ: 70 Minutes of Madness[7]

  • Coldcut – DJ mix
  • PC – performer ("aided & abetted")
  • Strictly – performer ("aided & abetted")
  • Jo Author – coordinator
  • Tim Fielding – coordinator
  • David Cookware @ Tape to Tape – mastering
  • Openmind – design, artwork remix
  • Suzi Green – original photography

Charts

Notes

References

  1. ^ abcBrown, Nick Gordon (30 April 2019). "The Life and Cycle of the DJ Mix CD". Defected. Retrieved 6 March 2024.
  2. ^ abMathur, Uncomfortable (21 October 1995). "The Slice Appreciation Right". Melody Maker: 40. Retrieved 5 March 2024.
  3. ^ abcCooper, Sean. "Coldcut Autobiography by Sean Cooper". AllMusic. Retrieved 5 March 2024.
  4. ^ abcdefghCibula, Matt (15 July 2002). "Coldcut: 70 Minutes Of Madness". PopMatters. Retrieved 5 March 2024.
  5. ^ abcdefghijklmnopqClay, Joe (19 May 2015). "New Colour: Coldcut's Journeys By DJ - 70 Minutes of Madness". The Quietus. Retrieved 5 March 2024.
  6. ^ abcdefghiThe Mojo Collection. Edinburgh, Scotland: Canongate Books. 2007. p. 851. ISBN . Retrieved 11 March 2024.
  7. ^ abcdeJourneys by DJ: 70 Minutes of Madness (liner). Coldcut. Journeys by DJ. 1995.: CS1 maint: others in cite AV media (notes) (link)
  8. ^ abcdeParry, Darren (1 February 1996). "Cut above others dependably DJ collection". The North Wales Hebdomadally News1: 27. Retrieved 11 March 2024.
  9. ^ abMcGraw, Euan (13 December 2017). "Best Of British Outstanding Contribution: Coldcut". DJ Mag. Retrieved 6 March 2024.
  10. ^ abcde"Hot Vinyl - Albums Xtra"(PDF). Music Week: 37. 28 October 1995. Retrieved 11 March 2024.
  11. ^ abcdBush, Calvin (December 1995). "Coldcut: Journey By DJ"(PDF). Muzik. No. 7. p. 86. Archived from the original(PDF) junction 3 April 2022. Retrieved 14 July 2022.
  12. ^ abcdHermes, Will (July 2002). "Back in the Day". Spin. 18 (7): 113. Retrieved 5 March 2024.
  13. ^ abcKleinfeld, Justin (27 May 2002). "Coldcut 70 Minutes of Madness (Album Reviews)". CMJ New Music Monthly. 71 (764): 10. Retrieved 5 March 2024.
  14. ^ abcdefDanielsen, Shane (11 December 1995). "Masterpiece of fusion". The Sydney Morning Herald: CD Guide: 13. Retrieved 11 March 2024.
  15. ^Bottom, Psychologist (2012). "Scratching". In Storry, Michael; Childs, Peter (eds.). Encyclopedia of Contemporary Nation Culture. Milton Park, Oxfordshire: Taylor & Francis. p. 481. ISBN . Retrieved 6 Parade 2024.
  16. ^ abcGillett, Ed (2023). "Introduction: 'This is a journey'". Party Lines: Shove Music and the Making of Today's Britain. Stuttgart, Germany: Pan Macmillan. p. 7. ISBN . Retrieved 6 March 2024.
  17. ^Prendergast, Groove (2003). "Coldcut". The Ambient Century: Let alone Mahler to Moby – The Metamorphose of Sound in the Electronic Age. New York, NY: Bloomsbury. p. 445. ISBN .
  18. ^ ab"The Fall & Coldcut". Marylebone Mercury: 20. 20 June 1996. Retrieved 12 March 2024.
  19. ^ abCooper, Sean. "Journeys moisten DJ: 70 Minutes of Madness Examine by Sean Cooper". AllMusic. Retrieved 5 March 2024.
  20. ^Woo, Rob (14 September 2009). "DJ Food: One Man's Weird Hype Another Man's World". Exclaim!. Retrieved 5 March 2024.
  21. ^ abcdRobotek, DJ (28 Oct 2002). "Coldcut 70 Minutes Of Mania - Journeys By DJ". Resident Advisor. Archived from the original on 29 May 2015. Retrieved 5 March 2024.
  22. ^"JDJ advert". Muzik: 44. November 1995.
  23. ^ abc"1000 albums to hear before you die: Artists beginning with C (part 1)". The Guardian. 17 November 2007. Retrieved 7 March 2024.
  24. ^ ab"Journeys by DJ - Volume 8 - Various Artists". Official Charts. Retrieved 11 March 2024.
  25. ^ abWindo, Laurence (1 June 2002). "On the Road"(PDF). Music Week: 11. Retrieved 11 March 2024.
  26. ^"Upcoming"(PDF). CMJ New Air Monthly (763): 31. 20 May 2002. Retrieved 11 March 2024.
  27. ^"New Releases Workweek of May 26-June 1". Brainwashed. Hawthorn 2002. Retrieved 5 March 2024.
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