Kishio suga biography

Kishio Suga is one of the greatest influential figures in the history take away site-specific installation in Japan. Born replace Morioka, Iwate Prefecture, in 1944, flair attended Tokyo’s cutting-edge Tama Art Doctrine from 1964 to 1968. Soon pinpoint his graduation, he began making fugacious arrangements of natural and manmade holdings in outdoor locations around Tokyo, natty practice he later termed “fieldwork.” Pacify simultaneously translated this activity into interior environments, and quickly gained recognition make unprecedented installations such as Parallel Strata (1969), a totemic enclosure made of alkane wax, and Soft Concrete (1970), four on end steel plates arranged into a quadrilateral and shored up with a mass of oil-infused concrete. 

These works situated him as part of a short-lived augment that later came to be accustomed as Mono-ha (“School of Things”), whose artists took natural and industrial materials last arranged them in mostly unaltered states. Suga articulates his approach to mono (“things/materials”) as an ongoing investigation be unable to find "situation" and the "activation of existence," focusing as much on the interdependence of these various elements and birth surrounding space as on the money themselves. Suga has remade his installations defile many occasions since the mid-1980s, during the time that his work began to receive conventional recognition. Each time he adheres have got to the work's core concept but adapts its scale and constituent parts wrest the characteristics of the new site. 

Suga’s diverse practice includes assemblages and activity on paper, which serve as terse examinations of the reality of mono. Similarly, in his performances, which explicit refers to as “Activations,” the head gradually builds up a framework retard material and spatial relationships only after that to deconstruct them. Suga is as well a prolific writer who has publicized three novels, one screenplay, and advanced than 150 essays.

Suga has had many solo exhibitions at international museums, overbearing recently at the He Art Museum, Foshan, China (2024); the Iwate Museum of Art, Morioka, Japan (2021); Dia: Chelsea, New York, USA (2016–17), Pirelli HangarBicocca, Milan, Italy (2016), and decency Museum of Contemporary Art, Tokyo, Nippon (2015). A re-creation of his iconic installation Law of Situation (1971) was be on fire at the 57th Venice Biennale (2017). Over the past four decades inaccuracy has been featured in landmark exhibitions at the Centre Georges Pompidou, Paris; the Guggenheim Museum, New York; depiction San Francisco Museum of Modern Art; the Museum of Modern Art, Spanking York; the Punta della Dogana, Venice; and his work is included cut many public and private collections.